Sunday, July 17, 2011

Every Unsigned Musician Must Read This

I have broken my self-induced exile from this blog because I found this article on The Quietus, published back in May: How The Music Industry is Killing Music and Blaming the Fans. It is fairly long, but it is definitely worth the read. I would love to hear your thoughts after you have read it, but first, a couple of points.

In years past, I (and many others) had painted a rosy picture of a bright future for unsigned musicians. Sadly, the outlook is looking bleaker than I had imagined. A while back, I was savagely attacked by trolls on another website for sharing my optimistic views, which in turn led to my self-induced exile. Turns out the trolls may have been partially right, although I still maintain they could have been nicer about it. Seriously, there is simply no justification for acting like a troll. (I apologize if I offended any trolls with that last statement.)

It is also quite probable that the Quietus piece goes too far the opposite direction, although the author makes some great points. I hope the reality is somewhere in between the two viewpoints.

James Marshall Crotty of Forbes online wrote an analysis of the original Quietus post today, and made an interesting point: "One must also remember that for most of music history, musicians, en masse, made very little money. There was an anomaly in the sixties that convinced musicians and labels that they could all get rich. Not true. Never was true."

Maybe there is a glimmer of hope after all.

Sources:
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Tuesday, December 14, 2010

3 Recent Books For Your Holiday Wish List

I have been doing quite a bit of reading lately. Here are three books that I highly recommend:

1. "Life" by Keith Richards and James Fox.
The autobiography of the Rolling Stones resident pirate and bad boy is indispensable reading for any rock and roll fan. He even answered my most burning question: "Did they really replace all of his blood?"

2. "Al Jaffee's Mad Life" by Mary-Lou Weisman and Al Jaffee.
I grew up reading Mad magazine, and always admired the work of Al Jaffee, especially "Snappy Answers to Stupid Questions" and the fold-ins. As it turns out, he has lived a very interesting life as well. The beauty of this book is the fact that he also illustrated it!

3. "The Big Payback: The History of the Business of Hip-Hop" by Dan Charnas.
I'm currently only halfway through this book, but it's a great read. A truly comprehensive history of hip-hop, and highly recommended.

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Friday, July 09, 2010

BGV Tips

(Note: I posted this answer to a question about rock BGV recording a few days ago on Quora.com, and I thought I should post it here as well. I added a few things for this post.)

I generally record my own backing vocals. I usually do either 3 part harmonies or 4 parts with the bottom note doubled up an octave. I overdub each part a minimum of 4 times, so there are at least 4 voices on each note. I then evenly distribute each part across the stereo field.

When I am recording other singers doing backgrounds, I typically have people switch back and forth, so one voice is not dominating any specific part. I usually ask for a very forward placement, with extremely bright vowels, especially for rock. Having a male sing high falsetto in unison with a female also produces a great effect.

I lightly compress each track, and I usually bus all the tracks to the same reverb I am applying to my instrumental tracks. As far as EQ, I usually apply a high pass filter, and boost some of the mids and some of the highs, but specific frequency choices depend on what else is going on in the track.

When you have that many tracks, things like ending consonants are not always together, so I often edit out any late endings, and use just a couple of tracks to establish the ending consonants.

One more note on track numbers: If you are limited on tracks, it's a good idea to record all 3 or 4 parts once, then bounce those down to 1 track, and so on. I've always felt like that fills the sound out more than bouncing all the takes of one part to one track.

(Originally posted at Quora)
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Tuesday, July 06, 2010

Prince Vs. the Internet



I have always been a Prince fan, and I have often found his eccentricity almost as interesting as his music. However, his latest pronouncement that "the internet's completely over" even has a diehard fan like me scratching my head. In an interview with The Mirror, he compares the internet to MTV, claiming that the web will become outdated just as the music channel did.

Even more odd, he is releasing his new album as a free CD for subscribers of the print edition of The Mirror. That's it - no iTunes, no CD's available in stores, and he has even shut down his website. In other words, if you don't happen to live in the UK or subscribe to The Mirror, he doesn't really want you to hear his new CD.

You can read the full interview at The Mirror.
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